“Star Doors” Take Center Stage In A City Of Rows

December 13, 2018 | by Ashley Hahn


A star (door) burns brightly on Warnock Street. Although there are many copycats, this particular door is an original product of the Arthur Tofani Lumber & Millwork Company. | Photo: Michael Bixler

“So, you want to know about our doors?” The enthusiastic, but elderly voice on the other end of the line was Arthur Tofani, Jr., a retired Modernist architect now in his 90s. Before his distinguished career, Tofani grew up in his family’s millwork shop on South 8th Street. In his question came the answer to one of my own.

For years I’ve played a kind of slow-moving, building nerd bingo, spotting the varying typologies of a particular sort of paneled wood door with beveled glass panes, each with a distinctive starburst design etched in their center. Most stars feature 16 slender rays radiating from an inch-wide dot. The windows come in different shapes–a triptych, a keyhole, a porthole, a heart, or a curve-topped square–but the starburst is as constant as the North Star.

My own house has a door with a starburst glass pane, as does its twin next door. For years I’ve taken pleasure in spotting these doors in the neighborhoods flanking Center City, playing a long, idiosyncratic game of I Spy. They’re common enough, but no local architectural historians I asked knew anything about these seemingly native Philadelphia specimens, much less their source. Answering that question would require a bit of digging.

Dr. Amanda Casper, a friend and historian whose dissertation was on practices of row house alteration, pointed me to collections of building trade catalogs from the early 20th century. I got lost browsing thousands of samples, but, alas, no starbursts. Casper’s hunch: they might be locally made. She suggested asking older neighbors who might know more.

Left: Arthur Tofani Lumber & Millwork Company, 1441 South 8th Street in the 1940s. Products line the sidewalk, including at right) a paneled door with an opening for a round window. Right: The old Tofani mill today. | Left photo courtesy of Arthur Tofani III. Right photo: Michael Bixler

I turned to a favorite neighborhood elder, Al LaTorre, proprietor of Society Hill Mail & Parcel at 8th and Kater Streets, who has one of these doors. He said they were made by a company at 8th and Dickinson Streets. That revealed a page in Southwark history, written by my Jane’s Walk Philadelphia friends, Heather and Mehron Moqtaderi. Lo, there was the shop–Arthur Tofani Lumber & Millwork–in photographs. Was this the holy grail of star doors? They helped me contact Arthur Tofani III, who indulged a request to see if his dad recognized this sort of door as the work of his family’s company. Yes, he said, they made similar doors and his father would be glad to talk with to me.

“I was in the plant from when I could walk,” Arthur Jr. said. “And when I say I was always in the plant, I wasn’t playing with sawdust.” As a young boy he learned to run and work on all of the shop’s machines, despite his mother’s protestations about safety. By the time he was a teen could read architectural drawings and understood wood construction methods. He credits those early experiences as the spark for his interest in pursuing a career in architecture. It was an interest he shared with his father. Arthur Tofani II moved to Rome from a small town in Italy intending to study architecture, but ended up coming to the United States instead.

At first, Arthur Sr. worked at the Philadelphia Navy Yard. But, as his son put it, he “wasn’t one for taking orders.” Instead he opened Arthur Tofani Lumber & Millwork Company in 1913, specializing in staircases, windows, frames, and doors. Arthur Sr. died of pneumonia at the age of 52 in February 1937, leaving three children and his wife, Liberata.

Just months later, on July 5, 1937, the Tofani millwork shop was destroyed by fire, burning for five hours according to an Inquirer report. Independence Day firecrackers were blamed as the likely culprit. But Liberata Tofani had worked with her husband since they married in 1919, and she knew the business. Liberata managed to rebuild it, digging out of debt with suppliers. She ran the company successfully for decades–a rare, woman-led company in the building trades.

Left: Arthur Tofani, Jr., as a little boy standing in his family’s original mill in 1929. It burned down in 1937 and was subsequently rebuilt by his mother, Liberata Tofani. Right: Liberata Tofani stands (at right) with workers outside the rebuilt mill in 1940. | Photos courtesy of Arthur Tofani III.

Tofani knew exactly the doors I was interested in. He said his family’s company made them in the first half of the 20th century, as did a crowded field of competitors and “copycats.” He recalled that they were an early and popular design, possibly beginning in the 1920s. Popular style is a funny, lingering thing. While post-war taste was tilting toward Colonial Revival and then the Atomic Age, this sort of door could have easily been made well into the 1940s. Tofani could not recall. He was busy earning an architecture degree from Penn in those later years.

The company never had a pattern book, he said. Nearby houses had so many examples of their millwork that South Philadelphia streets effectively served as the company’s showroom. “People saw them and told you the one they wanted. We never had a salesman go out.” That, he said, was also a regret. Had it been more aggressive in sales, he wonders if the company might have survived longer.

The customers of Arthur Tofani Lumber & Millwork were private owners, perhaps replacing a door, as well as builders and vendors who would order everything–doors, frames, stairs, and windows. “We manufactured a lot of products and we repeated a lot of products.”

The company purchased the distinctive starburst glass from the H. Perilstein Glass Company, a prominent local glass manufacturer founded in 1898. In the early 20th century, Perilstein had a complex of buildings, including an etching shop, clustered on the 500 blocks of Lombard, Rodman, and S. 6th Streets. Tofani recalled the glass company’s salesman, Jack Watkins, “was always in our place taking patterns… using brown paper on a door, running a crayon around it. The glass always had a starburst.”

Another Tofani original on Dickinson Street withstands the test of time. | Photo: Michael Bixler

Although various millwork companies likely purchased the same glass from Perilstein, not all starburst doors are the same. “Ornaments were unique with each company,” Tofani explained. “They weren’t important enough to be copied.” And these help him tell the difference between a Tofani door and a competitor.

Of my front door, with its curvy topped square glass window, “It’s not quite the shape we would do. And to my eye the sill is ugly.” I see what he means, but I still like it. As for my immediate neighbors, whose door has a round window, Tofani confirmed, “You can tell it’s definitely ours. Other people didn’t have the respect for the architectural details that we had.”

Regardless of the maker, star doors seem to have an enduring appeal, says Chris Stock, owner of Philadelphia Salvage Company. Actually, he dubbed them “Hollywood” doors, for the stoop stars that they are. He estimates they get one in every few months to be repaired, refinished, and sold. Finding a salvaged front door depends on just the right combination of size, style, and swing, so they tend to sell slowly. But Hollywood doors, he said, sell in three or four weeks, which he says is strikingly fast. “I love bringing these doors back to life,” Stock said. “Whenever we get one in, people go nuts for them.”

A photographic survey of Philadelphia’s “star doors.” All images by Ashley Hahn.


About the Author

Ashley Hahn Ashley Hahn is an independent writer and researcher focused on historic preservation and public space. She is the former managing editor of PlanPhilly, where she remains a columnist. Ashley is the Philadelphia organizer for Jane's Walk, an international walking festival of ideas that seeks to bring Jane Jacobs' ideas to life on our city's streets each May. A meandering career has found her on film crews, managing restoration construction projects, and shipping records from an indie label's warehouse. Raised Angeleño, she is Philadelphian by choice. @ashleyjhahn


  1. Jay says:

    Great article! Always noticed these and wondered as well. Thanks for all your work on this

  2. Mark E Richards says:

    Walking the Philadelphia streets, I thought of these doors as “keyhole doors”
    Great article and research

  3. FRANCIS W. HOEBER says:

    My wife and I have owned and lived in the Tofani building since 2005. It now consists of apartments and artists’ studios. We used a couple of the old doors described in your article for interior rooms, and in our basement we still have a few pieces of the original glass from these doors. A couple of years ago we had the opportunity to show the building to Arthur Tofani Jr and Arthur Tofani III. It looks quite different inside from when Arthur Jr lived here, but we have been careful to preserve the original exterior. This includes the steel factory windows, which are a challenge for energy efficiency but which bring wonderful light into our spaces. One of our spaces also preserves the original unfinished red pine factory floor, complete with heavy varnish drippings in the original finishing area. A lot of the doors continue in use all over South Philadelphia, and they are particularly plentiful in the area north of Eastern State Penitentiary.

  4. Charles Wolfe says:

    Great article, I love anything that highlights Philly row homes.
    Someone should start a blog that solely focuses on Philly Row Home design and decorating.

  5. Stephen Perzan says:

    Great and informative article. These little “niche” ideas, quirks are what add character to a City, home, place or person. Thanks for this neat little article.

  6. Jerome G Buescher says:

    My house has the door that you show with the “834” address marker, the exact same door. I’ve owned the house since 1974. I knew from the outset that it was supposed to have a starburst window but, alas, it was gone. Used to watch for discarded doors from which I could scavenge one but no luck …

  7. Beth from Philly says:

    My grandmother in Kensington had one of these doors. I can remember placing my fingertip in the center dimple and running my fingers along the radiating cuts. I probably got yelled at for doing so, but what a great memory. Great story.

  8. Angela Martello says:

    Thank you so much for this article. I live on South 8th Street just a few blocks away from where the original mill would have been. And I have one of these doors! The door was one of the reasons why I bought this house 27 years ago. I usually hang seasonal wreaths on the door, but now I’m thinking I should just let the star shine.

  9. Kate says:

    Thank you for your research. There is one on Cross street between 12th and passyunk that I COVET. Hoping to find one one day for our Historic home that lacks front door charm!

  10. emily hoffman says:

    I have lived tofani doors since living in the onld workshop on sourh 8th. ive been fascinated by them and excitedly take a photo if them whenever I find one. I have looked for information about arthur tofani, but this is the first time I actually found something, thank you!

  11. Rob K says:

    Is there a way to check if my door is an original or a knock-off?

  12. Christopher Smith says:

    What type of wood were those doors made from?

  13. MaryB. says:

    We are replacing our front but cannot bear to part with our Tofani door. Once refinished it will be a highlight on the interior of our home
    Glad to have found this article detailing the history of these beautiful doors.

  14. faye toll says:

    my great grand parents founded Perilstein Glass in Philadelphia . I’ve heard stories of all kinds from seeing salesman samples to the stables the company’s horses were kept in . This is the first I have heard of the starburst pattern door glass . Thank you for filling in a gap in my knowledge of that wonderful family company .

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