Glimpses Of The Holy Land

 

Eilat at night | Photo: Nathaniel Popkin

Eilat at night | Photo: Nathaniel Popkin

They were glimpses, that’s all I got–of the Arab city of Nazareth, of Jerusalem, of Tel Aviv, of the Negev, of Syria from across the border, of black Bedouin tents set in the chalk and glare of the Jordan desert. A traveler is struck dumb, for one, and if he’s not reporting, and not making his way to the backs of shops or inside strangers’ apartments, or to the shade of a school’s courtyard or at a table in a university lecture hall or getting a shave in a crowded medina, he can only proffer and guess.

I went to Israel on a family trip, the occasion of my niece’s bat mitzvah. I went with my liberal prejudices and love of the work of Israeli novelists Amos Oz and David Grossman, and my unquenchable desire for ancient Muslim cities–labyrinthine streets, alternating darkness and light, sour smell and piercing color, insistence and reticence all at once. With my little Olympus, I stole some 4,000 images.

The politics fled from me quickly; they hurried along from my mind in bursts of confusion and contradiction and I was left only to gaze and ponder the security wall around the West Bank, the pro-Palestinian graffiti in the doorways of Jerusalem’s Old City, minarets rising above countless Israeli towns, Israeli flags forcefully planted at the Damascus Gate of Jerusalem, a Tel Aviv beach–Givat Aliyah–inhabited equally, and peacefully, by Muslims and Jews.

On the Jaffa Road, Jerusalem | Photo: Nathaniel Popkin

On the Jaffa Road, Jerusalem | Photo: Nathaniel Popkin

I watched a Palestinian boy show an orthodox Jewish toddler how to fly a kite and held it with him as his mother smiled joyously on and a block away I was manhandled and called a dirty Jew by an Arabic-speaking shopkeeper who didn’t believe me when I said I didn’t have time to browse his store (it was true: we had to be at dinner at 7:30). Space signifies everything and time confirms it; space is devout; space is trampled on; space is cursed; space causes people to kill. At the Western Wall, with the Al Aqsa Mosque and the Dome of the Rock above, space is a battleground for gender; space is secreted for the divine; space is shared haphazardly; space is ruthlessly defended.

And here I found the manipulation of space through architecture and street art all the more potent. At the Holocaust museum, Yad Vashem, I was moved to tears not by the now familiar story of the genocide, but by the momentary experience of survival engendered by the architect Moshe Safdie; you leave the galleries, leave the names and the stories of the murdered, of the survivors, and are propelled by the force of the building itself in to the defiant glare of the promised land. Your dirty privilege swells from your stomach into your throat.

Yad Vashem, Moshe Safdie | Photo: Nathaniel Popkin

Yad Vashem, Moshe Safdie | Photo: Nathaniel Popkin

In the long hall of the old cotton makers’ souk in Jerusalem, faces blur and neon collides with stone and dirt and darkness. In Florentine, a Tel Aviv neighborhood more akin to a hip section of Barcelona or Athens or the Northern Liberties of a decade ago than the cotton souk of old Jerusalem, street art–sometimes diminutive, sometimes overpowering–speaks, sometimes in a whisper, sometimes in a shout, with all the nervous confusion of a place worn from love, what really must be a kind of madness.

Street art in Florentine, Tel Aviv | Photo: Nathaniel Popkin

Street art in Florentine, Tel Aviv | Photo: Nathaniel Popkin

About the author

Nathaniel Popkin is co-founder of the Hidden City Daily and author of three books of non-fiction, including Philadelphia: Finding the Hidden City (with Peter Woodall and Joseph E.B. Elliott) and two novels, Everything is Borrowed and Lion and Leopard. He is co-editor of Who Will Speak for America, an anthology forthcoming in June 2018, and the senior writer of the film documentary "Philadelphia: The Great Experiment."



Leave a Reply

Comment moderation is enabled, no need to resubmit any comments posted.

Recent Posts
From <em>Click</em> To Clink: A History Of Mug Shots In The Quaker City

From Click To Clink: A History Of Mug Shots In The Quaker City

September 20, 2018  |  Harry K's Encyclopedia

Harry K. gives us the backstory of Philadelphia's Rogues' Gallery, which has been tracking criminals in photographic form since the 1860s > more

Unlisted Philadelphia: Automobile Row

Unlisted Philadelphia: Automobile Row

September 18, 2018  |  Unlisted Philadelphia

Ben Leech spotlights unique and significant buildings not listed on the Philadelphia Register of Historic Places with his architectural illustration series, Unlisted Philadelphia. In this installment, he puts the pedal to the metal on Automobile Row > more

Abandoned Navy Hangar Prepares For Final Battle

Abandoned Navy Hangar Prepares For Final Battle

September 14, 2018  |  Last Light

A demolition study for the Mustin Field Seaplane Hangar at the Navy Yard puts a structural engineering landmark on notice. Michael Bixler takes us inside > more

Twitter Bot Reveals Revenue Loss From Tax Abatement

Twitter Bot Reveals Revenue Loss From Tax Abatement

September 13, 2018  |  News

Starr Herr-Cardillo catches up with the software engineer behind Philly Tax Abatements, a new Twitter account that aggregates the cost of City money lost to the 10-year tax abatement > more

Harvey Finkle: Photographer Seeks Justice For The Other

Harvey Finkle: Photographer Seeks Justice For The Other

September 10, 2018  |  Walk the Walk

New photography exhibition explores South Philly's Jewish communities and the city's transitioning immigrant populations. Joe Brin has the story > more

New Book Gives Insight Into Uncovering Philly History

New Book Gives Insight Into Uncovering Philly History

September 6, 2018  |  Vantage

Mickey Herr sits down with author and Philly historian extraordinaire Kenneth Finkel to discuss his new book, "Insight Philadelphia" > more