Oscar Beisert is an architectural historian and preservationist activist. The Texas Wend is of both Philadelphia and Washington, D.C. Beisert co-authored The Photography of Henry K. Landis He is mid-level bureaucrat in federal historic preservation, has just finished his second row house conversion/restoration project, and can be found at almost every Wednesday night at the Historical Society of Pennsylvania.
Philadelphia lacks a clear vision for historic preservation, leaving the protocols in place cumbersome and largely ineffective. Contributor Oscar Beisert believes it's time to rethink our approach with solutions that increase the legal protection of historic buildings while accommodating new development > more
Is there a preservation crisis in Philadelphia? Hidden City contributor Oscar Beisert says yes and presents the city's recent track record of demolishing historic resources in this startling essay > more
With little consideration or consternation, the last remaining facility of Philadelphia's own Whitman's Chocolates has been approved for demolition. Contributor Oscar Beisert has the history of the famous confectioner's production site at 5th and Race and the details on how buildings protected in historic districts can sometimes be hastily brushed aside > more
Philadelphia's stock of history-rich architecture is in jeopardy, and the time for proactive preservation reform within city government is now. Tireless advocates like Hidden City contributor Oscar Beisert, who goes before the Historical Commission next Tuesday with 4 nomination applications, including St. Laurentius Church, are the driving force behind getting buildings protected these days. Beisert shares his thoughts and perspective on the need to invest in our remaining architectural heritage with this passionate personal essay > more
To Hidden City contributor Oscar Beisart, the 100-year old Metropolitan Garage in Strawberry Mansion is as unique as it it is oddly charming. Although demolition permits have already been issued, Beisert thinks that a bold reuse of the building just might be the kind of creative investment the neighborhood needs > more