In Transit

 
Editor’s NoteTheresa Stigale has been a workhorse contributor to the Hidden City Daily, shooting portraits of life on 52nd Street, Woodland Avenue and the Calle de Oro a.k.a. North Fifth Street to name just a few. Here,  she takes a look at life on SEPTA in a project she began for a class at University of the Arts. Subways have been proven to be fertile ground for photographers over the years, most famously Walker Evans’s and Bruce Davidson’s portraits of passengers in New York City. Theresa’s project focused on something a little different, though. We’ll let her tell it: 

“This project started out with my attraction to the imperfections in glass, especially when they are exaggerated by artificial illumination at night, which creates unusual color temperatures. The light reflected off of glass surfaces at night was actually quite beautiful, despite its imperfections, especially in the rain. With that as my starting point, I sought to capture scenes where this scratched and defaced glass could frame or enhance the people  in my photos, or even stand alone as a statement of the actual  conditions in the SEPTA system.

“The project segued from photographing just  “night glass,”  to more a narrative of the commuter on a journey, hinting  at people’s isolation even though they were in a public place. I worked  as unobtrusively as possible, to capture authentic moments, whereas in most of my street photography I enjoy meeting new people and engaging in conversations. I used my compact Sony RX-100, which is not much bigger than my iPhone.  I never hid my camera and wore it over my coat.

“But as I was shooting I was also keenly aware that I too was being observed–usually  by jammed cars full of commuters, some glaring at my camera suspiciously. As interesting as those images would have been, I was not interested in confrontation. Occasionally it was unavoidable, though: A SEPTA worker on an El platform  pointed out in the most friendly way possible, the many cameras in which I was being recorded myself. A group of police officers in the subway concourse downtown looked at me with amusement and asked why I was taking photos but did not stop me–not that they should have. I had read up on SEPTA’s photography policies and knew that it was okay to take pictures. This was afterall, a “personal project” and I was being ‘courteous.'”

 

About the author

Theresa Stigale was born and raised in Southwest Philly. She earned a B.B.A. from Temple University in 1983. Theresa is a photographer as well as a licensed Pennsylvania Real Estate Broker, developer and instructor. In the past ten years, she has documented the loft conversion projects that she and her partners have completed in Philadelphia, from stately old abandoned warehouses covered with graffiti to vintage factories, some still active with manufacturing. Visit her web site at TheresaStigalePhotography.com.

Send a message!



3 Comments


  1. Nice Theresa

Leave a Reply

Comment moderation is enabled, no need to resubmit any comments posted.

Recent Posts
A History Of Leadership During Philadelphia's Epidemics

A History Of Leadership During Philadelphia’s Epidemics

July 21, 2017  |  Vantage

Contributor Sam Dunnington examines disease outbreaks in Philadelphia and the individuals that helped the city navigate its most deadly epidemics > more

La Salle University Tears Down Historic Victorian Home

La Salle University Tears Down Historic Victorian Home

July 19, 2017  |  News

Another historic home is demolished by La Salle University for campus expansion > more

Shaping Up And Shipping Out At Philadelphia's First Navy Yard

Shaping Up And Shipping Out At Philadelphia’s First Navy Yard

July 18, 2017  |  Harry K's Encyclopedia

Harry K sets sail for South Philly where shipbuilding and national defense once defined the Delaware River waterfront > more

Demolition Of Two Neighborhood Sanctuaries Begins

Demolition Of Two Neighborhood Sanctuaries Begins

July 14, 2017  |  News

Two historic churches meet the wrecking ball this week. Michael Bixler reports > more

Marked Potential: Film Exchange Building

Marked Potential: Film Exchange Building

July 12, 2017  |  Marked Potential

Shila Griffith is back with the latest and last edition of her column, Market Potential. In this final piece, Griffith reinvents a vacant, Mid-century Modern landmark near Chinatown as a cooperative cooking space for culinary entrepreneurs > more

Old Mansion Hangs Tough On Chestnut Street

Old Mansion Hangs Tough On Chestnut Street

July 10, 2017  |  The Shadow Knows

Rittenhouse Square is full of sturdy, old mansions, but you would be hard-pressed to find one as resilient as this. The Shadow has the lowdown on this tenacious Queen Ann Revival home at 22nd and Chestnut Streets > more