Let The City Be Your Muse Friday–It’s Philly Photo Day

 

Ronald Avery, 2012 Philly Photo Day | Courtesay, Philadelphia Photo Arts Center

Ronald Avery, 2012 Philly Photo Day | Courtesay, Philadelphia Photo Arts Center

Philly Photo Day–which is only about seven hours away (it starts Friday, Oct. 18th at midnight)–has become not only one of the feel-good art events of the year, but also a fascinating exercise in the power of crowdsourcing.

Now in its fourth year, Philly Photo Day is an expansion of the idea of sending photographers out to capture 24 hours in the life of a given town, city or country. “Twenty four hours in…” may be something of a gimmick, but it’s a great one.  An individual can’t begin to take in the multiplicity of a place, especially a city Philadelphia’s size –personal experience is far too limited.

But why stop at a couple dozen photos, if it’s a magazine article or a couple hundred, if it’s a book? The logic of the idea calls for what the Philadelphia Photo Arts Center has created–crowdsourcing thousands of photos to create a vast portrait of the city.

Yet even a couple thousand photos is still a relatively small sampling of the life of our city. How wonderful would it be to see 5,000 or even 10,000 photos? At some point, though, the original problem of there being too much to know would reappear, as it did for the great photojournalist W. Eugene Smith.

In 1955, Smith took on a three week assignment to document the city of Pittsburgh that mushroomed into what may be the most heroic–albeit amphetamine fueled–individual effort on record to capture absolutely everything about a single city. He spent the better part of two years producing more than 17,000 negatives, but the quixotic project ended in failure, and the vast majority of the images were never published or exhibited.

David Oakill, 2012 Philly Photo Day

David Oakill, 2011 Philly Photo Day | Courtesy Philadelphia Photo Arts Center

Photo: Jason Bartlett, 2012 Philly Photo Day

Photo: Jason Bartlett, 2012 Philly Photo Day

On the other hand, 2,500–which is what the event’s organizer, the Philadelphia Photo Arts Center, is hoping for–can be digested relatively easily.

The city portrayed in the photos is so varied that the generalizations Philadelphia is known by seem to melt away. Naturally, there are plenty of photos of the skyline and well-known landmarks, but they only make up a small percentage of the total. Others are particularly topical, like David Oakill’s picture of a woman camping out at Occupy Philly.

There are shots that seem to sum up something about the city, like Jordan Hines’s photo of a kid trying to dunk a basketball, the rectangle of the backboard repeating the rectangles of the row houses in the background. And some could have been taken anywhere–photos of cats, dishes in the sink, selfies–but aren’t these domestic scenes part of the life of the city, too? There are photos that are strange to the point of being surreal, like Jason Bartlett’s photo of a muscle-bound old man wearing boxing gloves punching a telephone pole.

And then there are images that seem as though they couldn’t possibly have been taken in Philadelphia at all, like James Aggers’s image of a child standing in a corn field.

James Agger, 2012 Philly Photo Day

James Agger, 2011 Philly Photo Day | Courtesy Philadelphia Photo Arts Center

Most of the people submitting photos aren’t professional photographers, or even dedicated amateurs. But that’s not the handicap it would be in other art forms. Even though professionals have a much greater chance of creating a memorable images, amateurs can create compelling ones as well. There’s something wonderfully democratic about photography that way–everyone has an index finger. As the old saying in photography goes, sometimes the most important thing is just “F8 and being there” (F8 is a common, middle-of-the-road camera aperture).

Jordan Hines, 2012 Philly Photo Day | Courtesy, Philadelphia Photo Arts Center

Jordan Hines, 2012 Philly Photo Day | Courtesy, Philadelphia Photo Arts Center

The folks at PPAC have made the event even more democratic by printing and exhibiting every image submitted.  It’s powerful to see all of these images on display at one place at one time, not only for the viewer but also for the photographers, many of whom may never have seen their work printed because so many photos stay in digital form nowadays.

So take a shot tomorrow, send it in, and come out to the opening reception scheduled for November 14th at the Crane Building. It’s a fine example of how a lot of very little acts can add up to something pretty special.

 

 

Peter Woodall is the co-editor of Hidden City Daily. He is a graduate of the UC Berkeley School of Journalism, and a former newspaper reporter with the Biloxi Sun Herald and the Sacramento Bee. He worked as a producer for Radio Times with Marty Moss-Coane and wrote a column about neighborhood bars for PhiladelphiaWeekly.com.



1 Comment


  1. LOL, only 17,000

Leave a Reply

Comment moderation is enabled, no need to resubmit any comments posted.

 

Recent Posts
LOVE Park Renovations Hit Small Snag

LOVE Park Renovations Hit Small Snag

June 29, 2016  |  Morning Blend

LOVE Park renovations halted temporarily, DNC protestors not to limit themselves to FDR Park, mismatched styles on Ridge Ave, and applying the metric of hipness to Philly’s neighborhoods > more

Hidden Lens: Under The Spell Of A City Abstracted

Hidden Lens: Under The Spell Of A City Abstracted

June 29, 2016  |  Hidden Lens

In this first installment of Hidden Lens, a new series showcasing the captures of local photographers, we set our sights on the work of Rob Lybeck > more

Upscaling The Italian Market

Upscaling The Italian Market

June 28, 2016  |  Morning Blend

Squilla introduces legislation for Italian Market BID, PMC to pay up, church building coming down at 12th & Fitzwater, painting with light on Laurel Hill, and an illuminated mural on Percy Street > more

Long Before The SEPTA Key: A Penny Ride On The Omnibus

Long Before The SEPTA Key: A Penny Ride On The Omnibus

June 28, 2016  |  Harry K's Encyclopedia

Harry K. gives us a ride back to 1831 on Philadelphia's public transit predecessor > more

Learning From Dilworth Park's Water Magic

Learning From Dilworth Park’s Water Magic

June 27, 2016  |  Soapbox

Thérèse d'Auria Ryley examines how Philadelphia's relationship with water fountains and rivers is redefining the way urban planners design public space > more

At The Navy Yard, A Spectacular Speculative Office

At The Navy Yard, A Spectacular Speculative Office

June 24, 2016  |  Morning Blend

Danish architect Bjarke Ingels takes Saffron through 1200 Intrepid Avenue, state donkeys coming to Philadelphia for convention month, SEPTA cameras a money saver, and public pools start opening > more