Wish You Were Here

Love for a building is a curious kind of thing. The relationship isn’t long on conversation. Mostly, there is a lot of looking, yet something blooms in the heart nonetheless. People felt this way about the Victory Building on Chestnut Street during the 1980s and 1990s, and some folks feel this way now about the Divine Lorraine on North Broad Street. There is something irresistible about a damsel in distress.

I first started having feelings for the Cramp Turret & Machine Shop in high school. This was surprising. Like most teenagers, I was somewhat oblivious to the city around me. I’m still a little ashamed I never noticed there was anything special about the Boyd Theater on Chestnut Street, an Art Deco jewel, until I went to a benefit for the building 13 years later. To us, it was just a good place to ditch class. The Cramp building touched something inside me, though. That football field’s worth of windows was so lovely in the golden light of late afternoon. What had they built inside there? Why had they stopped? It seemed as mysterious as the pyramids to me.

Much later, I came to know some of the building’s history. It was the last structure left from the Cramp Shipyard, a business that had dominated that stretch of waterfront for more than a century. War was good for Cramp. The company built the “New Ironsides” for the Union during the Civil War, and boomed again during WWI. The company went belly up in 1927, but was called back to action during WWII, when it employed more than 15,000 people and covered 65 acres. The shipyard closed for good shortly after war’s end, and all of its buildings were torn down save this one.

Even with my adolescent questions answered, the sheer fact of the Cramp building still filled me with wonder, and I often returned to photograph it. Then one day last winter the heavy equipment came and began dismantling the building. The west wall went first, so one Sunday morning I stepped around a fence and walked inside the great hall for the first time. The building had been used for storage in recent years, but by then the interior had been cleaned out, and the emptiness made the place seem even more immense. A few years before, the bottom row of windows that faced east had been painted red to cover graffiti, and now they gave off a ruby glow in the early morning light much like the stained glass windows of a cathedral.

Like so many of Philadelphia’s historic buildings, Cramp met its demise at the hands of a highway–in this case, an on-ramp for I-95. It deserved better, but it’s hard to see how this outcome could have been avoided, given PennDot’s traditional obliviousness to historic buildings. All that’s left now is a few piles of brick on a concrete slab, and I feel a small pang whenever I drive by. That feeling will fade with time, but I doubt it will ever disappear entirely. Affairs of the heart are like that.

 

 

 

Peter Woodall is the co-editor of Hidden City Daily. He is a graduate of the UC Berkeley School of Journalism, and a former newspaper reporter with the Biloxi Sun Herald and the Sacramento Bee. He worked as a producer for Radio Times with Marty Moss-Coane and wrote a column about neighborhood bars for PhiladelphiaWeekly.com.



3 Comments


  1. She was a beautiful and massive building. The butterfly roof was amazing. So much history there, it is a shame they tore her down.

  2. The last building of a shipyard that employed 18,000 at a time, helped us win WWI and WWII, and fostered the invention of the Slinky. Not so much as a historic marker. Just a field, some bricks, and a concrete ramp. History deleted.

  3. ” it’s hard to see how this outcome could have been avoided.”

    Is it? For the past 60 years we have made ourselves busy with the task or destroying acres of our precious, precious city, left here by our far smarter ancestors, to accommodate ever-widening roads. We continue to fail to learn from our huge mistakes and even bigger failures, and it seems like we never will.

    My solution to avoiding this outcome? Don’t build an onramp.

Leave a Reply

Comment moderation is enabled, no need to resubmit any comments posted.

Recent Posts
In Belmont, The Making Of A

In Belmont, The Making Of A “City Of Villas”

January 20, 2017  |  Vantage

Contributor Joshua Bevan takes us on an architectural tour of Belmont, where the origins and growth of the neighborhood can still be read in its distinctive homes > more

Shaping A New Urban Crossroads At 33rd And Chestnut

Shaping A New Urban Crossroads At 33rd And Chestnut

January 18, 2017  |  Vantage

Contributor Ann de Forest stands at the confluence of Penn and Drexel's campuses where a once listless intersection is being redefined with energy, connectivity, and strategic design > more

The Best Seats In The City, Ban Be Damned

The Best Seats In The City, Ban Be Damned

January 16, 2017  |  Buzz

Last week Friends of Rittenhouse Square and PPR announced a ban from sitting on the interior walls of the park. Two days later Mayor Jim Kenney reversed the rule. We take a look at life along the balustrades in these old photos > more

Capturing The Ghosts Of Demolition

Capturing The Ghosts Of Demolition

January 13, 2017  |  Last Light

The demolition composites of photographer Andrew Evans beguile the eye with ghostly images of a city passing through time. Evans presents his newest additions to the series and explains his process with this photo essay > more

Pencoyd Bridge Reopens In Manayunk, As Redevelopment Of Foundry Site Begins

Pencoyd Bridge Reopens In Manayunk, As Redevelopment Of Foundry Site Begins

January 11, 2017  |  Vantage

The deserted industrial site of Pencoyd Iron Works is next on a growing list of riverside redevelopment along the Schuylkill. Contributor Mick Ricereto takes us deep inside the history of the family-owned foundry and farmland that dates back to the city's founding > more

Urban Fantasy: The Carousel Maker Of Broad & Erie

Urban Fantasy: The Carousel Maker Of Broad & Erie

January 10, 2017  |  The Shadow Knows

Traditional carousel design may have roots in Europe, but "Philadelphia Style" took the amusement ride to a whole new level. The Shadow takes a stroll down Germantown Avenue where the G.A. Dentzel Carousel Company became the gold standard in animal kingdom merry-go-rounds > more